Jake Syersak
from Songs of Innocence, of Kapital, of Experience, and of Incohereocence
(1)
Swanwicked,
I watch the sun descend the Puget Sound into a seismicity of its own
choosing;
is the heart,
then, such obliterate-glitter as this—
a where-the-sun-meets-
the-sea—that which has never, or may never learn
to slow its explosions
into space;
tell me
whether there is wingspan at all
to what I think,
or else why “I think” should remain so weightlessly so
*
Like
an oil fire tornadoing the ocean I gaze out I think out
like
a cigarette burn in shag carpet
over the waters of Puget Sound
as a lone swan
wicks into the
obliterateglitter of sun-
on-
sea on all sides sometimes this unwicking world seems
so unwinnable seeing as Capital is dead labor which
vampire-like
lives only by sucking living labor and lives
the more
the more labor it sucks and lucky you you carry this dynamo within you
always
like the noisy spiritual
noeisis of mechanized Live Laugh Love signs only smoke
and mirrors can
suckle from unfuck my mind
cherry blossoms unfuck my mind weeping blue willow unfuck my mind
oolong tea
from the dry deadness inside
I
write the bloodred tooth in hopes of unbecoming
these gums all too
clearly
I coalesce all too
well with
all
the shards of the world like all the tombs of the world
all too
well they chew
the world into glass
like grass
asked what do you believe
and answering
only in tsunami after tsunami of green
in gravity
its grave
(2)
Thought is to be
appeased, eased,
or easeled;
if only those colors
sweeping up
the edges
of
the evergreens
could ascend forever
their after-whorls, one would scintillate
in what afterworlds
we see;
like the pistil that through the chrysanthemum screams
its corona,
I
like my mind best
when out of it
*
Of after-whorls and afterworlds I was
eased
into someone else’s thought onto someone
else’s easel someone else’s world
when they say you were not longed for this world
you and I know
it was a world not longed for
to begin with
from cradle to the grave the gavel is not ours I
may as well
be
living out the life of a hyphen a howl
among howls living in
mid-
air
how via negativa a mind I have the mind
of man wearing as a halo
a radio
I am not sorry for my
circuitousness The traditions of all dead
generations weigh
like a nightmare on the brains
of the living the only labor of
any lightness anymore lay on the tongues of lovers
wherever lovers’ tongues
intertwine
to vibrate or vine like the persimmony air
around a persimmon
those fathoms from afar
we believe
only through others’ to be ours
and not the hours’ the dreams that through cocoons worm their
wings
there are
so many softnesses in the world
with edges
you would not believe they would have you believe
the open mouths
of flowers and factories do not scream in solidarity
I want
like a wrench
only to wreck like a garden
(3)
Dreamreeking and languageless as an old saloon,
I set my butterfly-
flavored
thoughts
adrift;
listen—in my garden is a starflower, whose blue-
cucumbery scent,
I aspire to;
it is with the utmost regret I cannot say,
“of these
evergreens my eyes swim,
I am”;
but up there, between tree and treeesque,
is a statelessness
for which I will find me
an I-will-find-me-
an-I-will,
because I am not sorry for my circuitousness
*
Languageless as a blenderful of butterfly wings the capitalist incorporates
labor
as a living ferment with
the lifeless
constituents of the product decrying I have an empire
on my lips
and no one to kiss me goodnight (do you
ever get the same feeling
I do like sometimes you just want to vomit
your skeleton
and live at last among the lacewings)
through these existless gardens I will walk you
to a wilderness
the “I” never exits
whose exquisiteness is but the daydream
of kings and queens twisting the heavens around the Earth
like draperies
Lynchian in their own right our dreams say
you will not
repeat after me you will not
belong us
like legs of wine down globes of glass
whose runway
is the lesion of glass jaws The product of this labor-process belongs
therefore
to him
as much as does the wine which is the product
of the process of fermentation
completed in his cellar nothing belongs us
but our dreams
some dreams serve some dreams ferment some dreams hang but no dream
hangs
that will not fang
––––
Jake Syersak is the author of the poetry books Mantic Compost and Yield Architecture. He is also the translator of several books by Mohammed Khaïr-Eddine and Tahar Ben Jelloun. His work has received funding from the PEN/Heim Foundation and the National Endowment of the Arts. He currently lives in Olympia, WA.